Now available from University of Pennsylvania Press is Andreas Killen’s Homo Cinematicus: Science, Motion Pictures, and the Making of Modern Germany:
In the early decades of the twentieth century, two intertwined changes began to shape the direction of German society. The baptism of the German film industry took place amid post-World War I conditions of political and social breakdown, and the cultural vacuum left by collapsing institutions was partially filled by moving images. At the same time, the emerging human sciences—psychiatry, neurology, sexology, eugenics, industrial psychology, and psychoanalysis—began to play an increasingly significant role in setting the terms for the way Germany analyzed itself and the problems it had inherited from its authoritarian past, the modernizing process, and war. Moreover, in advancing their professional and social goals, these sciences became heavily reliant on motion pictures.
Situated at the intersection of film studies, the history of science and medicine, and the history of modern Germany, Homo Cinematicus connects the rise of cinema as a social institution to an inquiry into the history of knowledge production in the human sciences. Taking its title from a term coined in 1919 by commentator Wilhelm Stapel to identify a new social type that had been created by the emergence of cinema, Killen’s book explores how a new class of experts in these new disciplines converged on the figure of the “homo cinematicus” and made him central to many of that era’s major narratives and social policy initiatives.
Killen traces film’s use by the human sciences as a tool for producing, communicating, and popularizing new kinds of knowledge, as well as the ways that this alliance was challenged by popular films that interrogated the truth claims of both modern science and scientific cinema. In doing so, Homo Cinematicus endeavors to move beyond the divide between scientific and popular film, examining their historical coexistence and coevolution.
The July 2017 issue of History of the Human Sciences is now online. Articles in this issue explore cinematic representations of brainwashing, scientific expertise and the politics of emotion, and more. Full details below.
“Brainwashing the cybernetic spectator: The Ipcress File, 1960s cinematic spectacle and the sciences of mind,” by Marcia Holmes. Abstract:
This article argues that the mid-1960s saw a dramatic shift in how ‘brainwashing’ was popularly imagined, reflecting Anglo-American developments in the sciences of mind as well as shifts in mass media culture. The 1965 British film The Ipcress File (dir. Sidney J. Furie, starr. Michael Caine) provides a rich case for exploring these interconnections between mind control, mind science and media, as it exemplifies the era’s innovations for depicting ‘brainwashing’ on screen: the film’s protagonist is subjected to flashing lights and electronic music, pulsating to the ‘rhythm of brainwaves’. This article describes the making of The Ipcress File’s brainwashing sequence and shows how its quest for cinematic spectacle drew on developments in cybernetic science, multimedia design and modernist architecture (developments that were also influencing the 1960s psychedelic counter-culture). I argue that often interposed between the disparate endeavours of 1960s mind control, psychological science and media was a vision of the human mind as a ‘cybernetic spectator’: a subject who scrutinizes how media and other demands on her sensory perception can affect consciousness, and seeks to consciously participate in this mental conditioning and guide its effects.
“Scientific expertise and the politics of emotions in the 1902 trial of Giuseppe Musolino,” by Daphne Rozenblatt. Abstract: Continue reading New HHS: Brainwashing, Scientific Expertise and the Politics of Emotion, & More!
The Hirschfeld Archives: Violence, Death, and Modern Queer Culture by Heike Bauer was recently been published by Temple University Press. As described on the publisher’s website,
Influential sexologist and activist Magnus Hirschfeld founded Berlin’s Institute of Sexual Sciences in 1919 as a home and workplace to study homosexual rights activism and support transgender people. It was destroyed by the Nazis in 1933. This episode in history prompted Heike Bauer to ask, Is violence an intrinsic part of modern queer culture? The Hirschfeld Archives answers this critical question by examining the violence that shaped queer existence in the first part of the twentieth century.
Hirschfeld himself escaped the Nazis, and many of his papers and publications survived. Bauer examines his accounts of same-sex life from published and unpublished writings, as well as books, articles, diaries, films, photographs and other visual materials, to scrutinize how violence—including persecution, death and suicide—shaped the development of homosexual rights and political activism.
The Hirschfeld Archives brings these fragments of queer experience together to reveal many unknown and interesting accounts of LGBTQ life in the early twentieth century, but also to illuminate the fact that homosexual rights politics were haunted from the beginning by racism, colonial brutality, and gender violence.
The full volume is available as an open access pdf here.
The Spring 2016 issue of the Canadian Bulletin of the History of Medicine/Bulletin canadien d’histoire de la médecine, now under the editorship of Erika Dyck and Kenton Kroker, includes a number of articles that will be of interest to AHP readers. These articles address the concept of degeneration in Quebec, eugenics and the 1917 Ontario Royal Commission on the Care and Control of the Mentally Defective and Feeble-Minded, the notion of “Early Psychosis,” and shell shock as a concern in Oxford during World War One. Full titles, authors, and abstracts follow below.
“Entre médecine, culture et pensée sociopolitique : le concept de dégénérescence au Québec (1860–1925),” by Johanne Collin and David Hughes. The abstract reads,
La présente étude se penche sur les rapports entre la psychiatrie, la culture et la pensée sociopolitique au Québec. Notre approche s’inspire des travaux de Mark Micale sur le concept d’hystérie en France. Dans The Mind of Modernism, Micale démontre l’omniprésence de l’hystérie dans l’imaginaire collectif français au tournant du siècle. Notre objectif est de déterminer si un concept psychiatrique a pu jouer un rôle semblable au Québec à la même période. Nous démontrons que le concept de dégénérescence a pénétré la nosographie officielle, les publications médicales, les revues, la fiction ainsi que les discours sociopolitiques québécois.
In The Mind of Modernism, Mark Micale demonstrates the ubiquity of the concept of hysteria in the French imagination at the turn of the century. Taking this approach as our starting point, our study attempts to determine if the notion of degeneration played a similar role in the interactions of psychiatry, culture and politics in Quebec. Our analysis of a variety of historical sources demonstrates that the concept of degeneration did indeed penetrate aspects of psychiatric nosology, medical literature, news media, fiction, and political discourse in Quebec.
“An Evil Hitherto Unchecked: Eugenics and the 1917 Ontario Royal Commission on the Care and Control of the Mentally Defective and Feeble-Minded,” by C. Elizabeth Koester. The abstract reads, Continue reading Canadian Bulletin of the History of Medicine: Degeneration, Eugenics, Psychosis, & Shell Shock
The June 2016 issue of History of Psychiatry is now online. Articles in this issue explore psychiatric semiology, the German Research Institute of Psychiatry in Munich, madness in novelist Muriel Spark’s work, LSD as treatment in Denmark, the DSM and learning disabilities, Joseph Mason’s madhouse, and the work of Max Scheler. Full titles, authors, and abstracts follow below.
“The emergence of psychiatric semiology during the Age of Revolution: evolving concepts of ‘normal’ and ‘pathological’,” by Diego Enrique Londoño and Professor Tom Dening. The abstract reads,
This article addresses some important questions in psychiatric semiology. The concept of a sign is crucial in psychiatry. How do signs emerge, and what gives them validity and legitimacy? What are the boundaries of ‘normal’ and ‘pathological’ behaviour and mental experiences? To address these issues, we analyse the characteristics and rules that govern semiological signs and clinical elements. We examine ‘normality’ from the perspective of Georges Canguilehm and compare the differences of ‘normal’ in physiology and psychiatry. We then examine the history and the philosophical, linguistic and medical-psychiatric origins of semiology during the eighteenth and nineteenth centuries (the Age of Revolution). The field of rhetoric and oratory has emphasized the importance of passions, emotions and language as applied to signs of madness. Another perspective on semiology, provided by Michel Foucault, lays stress on the concept of ‘instinct’ and the axis of voluntary-involuntary behaviour. Finally, we analyse how statistics and eugenics have played an important role in our current conceptualization of the norm and therefore the scientific discourse behind the established clinical signs.
“Psychiatric governance, völkisch corporatism, and the German Research Institute of Psychiatry in Munich (1912–26). Part 2,” by Eric J Engstrom, Wolfgang Burgmair, and Matthias M Weber. The abstract reads, Continue reading New History of Psychiatry: LSD, Madhouses, Psychiatric Semiology…