Tag Archives: feature film

Now in The Psychologist: Conwy Lloyd Morgan, Stories of Psychology Event Report, Wonder Woman Film Review

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New in the December 2017 issue of the British Psychological Society‘s The Psychologist are a couple of pieces of interest to AHP readers. First, Jan Noyes describes the life and work of Conwy Lloyd Morgan, an early psychologist who conducted research on animal learning, put forward what is now known as Morgan’s canon, and proposed – alongside Henry Fairfield Osborn and James Mark Baldwin – a theory of evolution now best known as the Baldwin Effect. Morgan, as Noyes notes, was also the first psychologist to become a Fellow of the Royal Society.

The issue also includes a piece from Ella Rhodes reporting on the BPS’s recent seventh annual Stories of Psychology event which explored the history of women in psychology to mark the 30th anniversary of the Psychology of Women Section. As Rhodes notes,

Women make up a majority of members of the British Psychological Society (BPS), women have been instrumental in shaping what psychology is today, and women may be the face of the subject for many decades to come. Yet inequality remains steadfast. The History of Psychology Centre’s seventh annual Stories of Psychology event traced the history of women within psychology and celebrated 30 years of the Psychology of Women Section.

Sophie Bryant, Beatrice Edgell, Alice Woods, Caroline Graveson, Mary Smith, Nina Taylor, May Smith, Helen Verrall, Nellie Carey, Jessie Murray, Julia Turner, Jane Reaney, Laura Brackenbury, Ida Saxby, Susan Isaacs and Victoria Hazlitt – these were the first female members of the BPS. The Society, founded in 1901, was unusual for a scientific society in the early 20th century in that it allowed women to join.

Finally, do not miss George Sik’s review of the just released feature film Professor Marston and the Wonder Women. 

As Sik notes,

Marston’s private life created scandal (the film begins in 1928 when prohibition was in full swing and, while Cole Porter might have penned Anything Goes in 1934, it was clear that, at the time, very little went – in the American bedroom at least). He had a complex three-way relationship with his wife Elizabeth and research student Olive Byrne, the three of them often sleeping together, which lost him his job as a lecturer and got him kicked off campus. Like Liam Neeson’s Kinsey (2004), here was one psychologist whose theories and sex life became deeply intertwined… quite literally in this case as Marston’s fondness for ropes and sado-masochistic role-play became more and more apparent. It is fascinating how much it dominated – if that’s the mot juste – the early Wonder Woman comic strips.

The film somehow avoids making it seem salacious, however. By concentrating heavily on Elizabeth and Olive, one strident, one shy, and played superbly by Rebecca Hall and Bella Heathcote, the two emerge as characters more interesting and maybe more important than Luke Evans’s Marston. In fact, there is a deliberately feminist tone to the proceedings, a touch ironic given how much Marston made of the differences between men and women. Like Hitchcock (2012), which emphasised how important his wife Alma was to the Master of Suspense’s films, so it is here with Marston’s theories and indeed Wonder Woman herself, at least as much an empowered female icon as a fetishistic male fantasy. Marston put it this way: ‘Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.’

Psychologist and Wonder Woman Creator William Marston’s Papers Now at Schlesinger Archives

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A collection of papers of psychologist and Wonder Woman creator William Moulton Marston have landed at the Radcliffe Institute for Advanced Study’s Schlesinger Library. And more papers from Marston’s granddaughters are set to arrive at in the archives in the months ahead. Undoubtedly the Marston’s papers will also feature items from his wife Elizabeth Holloway Marston and partner Olive Byrne, both of whom are well deserving of collections in their own right. As described in the Harvard Gazette,

Over the past academic year, two collections of William Moulton Marston, the Harvard graduate, psychologist, and inventor of the lie detector machine whose Wonder Woman comics promoted the triumph of women, arrived at the Radcliffe Institute for Advanced Study’s Schlesinger Library.

Though there’s little material directly related to Wonder Woman among the photos, letters, articles, drawings, and miscellanea in the archive, the collections go a long way toward explaining the influences in Marston’s life that inspired his righteous crime-fighting character, her racy look, and her fantasy storylines.

“His collection helps tell a back story rooted in Marston’s controversial research and the women in his unorthodox personal life,” said Kathy Jacob, curator of manuscripts at the Schlesinger. That includes Marston’s simultaneous relationships with two strong and idealistic women, a connection to Margaret Sanger ­— one of the most important feminists of the 20th century — as well as Marston’s work with behavioral psychology and his theories on love.

Relatedly, a new feature film, Professor Marston & the Wonder Women, is set to be released later this fall.

’37’- A Forthcoming Film on the Kitty Genovese Case

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The New York Times reports that a film, titled ’37’, on the infamous Kitty Genovese murder is in the works. The Genovese case is often credited with providing the impetus for research into the bystander effect, whereby bystanders fail to intervene in an emergency situation as a result of a diffusion of responsibility. The notion that bystanders failed to intervene in the Genovese case – including the NYT‘s initial erroneous accounting of 37 such individuals – has been called into question (see our previous posts on this myth here). As the NYT reports,

Whether the classic account of the murder is factually true has been disputed for years. The disturbing article in The New York Times at the time (“37 Who Saw Murder Didn’t Call the Police”) got the probable number of witnesses wrong, among other facts. Some people did call the police; at least one neighbor comforted the victim as she died. But over the years, Kitty Genovese has become more than a true-crime statistic. She’s attained the status of a myth aswirl in urban dread.

More details about the film ’37’ can be found in the NYT piece.

The New Yorker: “The Real Lesson of the Stanford Prison Experiment”

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The New Yorker has just posted an article on “The Real Lesson of the Stanford Prison Experiment.” A new feature film The Stanford Prison Experiment, starring Billy Crudup as psychologist Philip Zimbardo, provides the impetus for the piece.

On the morning of August 17, 1971, nine young men in the Palo Alto area received visits from local police officers. While their neighbors looked on, the men were arrested for violating Penal Codes 211 and 459 (armed robbery and burglary), searched, handcuffed, and led into the rear of a waiting police car. The cars took them to a Palo Alto police station, where the men were booked, fingerprinted, moved to a holding cell, and blindfolded. Finally, they were transported to the Stanford County Prison—also known as the Stanford University psychology department.

They were willing participants in the Stanford Prison Experiment, one of the most controversial studies in the history of social psychology. (It’s the subject of a new film of the same name—a drama, not a documentary—starring Billy Crudup, of “Almost Famous,” as the lead investigator, Philip Zimbardo.) The study subjects, middle-class college students, had answered a questionnaire about their family backgrounds, physical- and mental-health histories, and social behavior, and had been deemed “normal”; a coin flip divided them into prisoners and guards. According to the lore that’s grown up around the experiment, the guards, with little to no instruction, began humiliating and psychologically abusing the prisoners within twenty-four hours of the study’s start. The prisoners, in turn, became submissive and depersonalized, taking the abuse and saying little in protest. The behavior of all involved was so extreme that the experiment, which was meant to last two weeks, was terminated after six days.

Read the piece online here.

Viktor Frankl’s Man’s Search for Meaning Optioned as a Film

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Psychologist Viktor Frankl’s book Man’s Search for Meaning, in which he attempts to make sense of the Holocaust, has been optioned as a film. The Guardian reports,

Frankl, a contemporary of Freud, lost his whole family during the Nazi’s attempted extermination of the Jews. He developed his theory of “healing through meaning”, known as logotherapy, while a prisoner in the Auschwitz and Kaufering concentration camps. He counselled his fellow prisoners, many of whom were suicidal, with a philosophy that argued that striving for meaning, not pleasure nor power, is what keeps us alive.

The book is being adapted for film by screenwriter Adam Gibgot.