The British Psychological Society‘s History of Psychology Centre, in conjunction with UCL’s Centre for the History of the Psychological Disciplines, has announced the next two talks in its spring seminar series. On Monday March 13th Tom Quick will be speaking on “Disciplining Bergson: Cinematographs as Epistemic Devices, 1896-1922” and on March 20th Jacomien Prins will speak on “C.G. Jung’s Interpretation of Girolamo Cardano’s Dreams.” Full details follow below.
Monday 13th March
Dr Tom Quick (University of Manchester)
‘Disciplining Bergson: Cinematographs as Epistemic Devices, 1896-1922’
Henri Bergson’s use of the cinematograph as a metaphor for scientific epistemology had a major impact on twentieth-century conceptions of science: even today, many philosophers of science regard the relation between recording mechanisms and embodied observers as critical to our understanding of objective knowledge. Yet little is known about the extent to which Bergson’s characterization of cinematographs as epitomizing a pervasive ‘fragmentation’ of nature into lifeless ‘snapshots’ reflected actual scientific practice during the early twentieth century. This talk will address cinematographic experimentation by such contemporaries of Bergson as Charles Scott Sherrington, Hugo Münsterberg, and Max Wertheimer. In doing so, it will suggest that as well as expressing a broader trend towards the mechanical analysis of nature, cinematograph-centred experimentation contributed to a disciplinary divergence between psychological and physiological science during the first decades of the twentieth century. It will further highlight how this changing disciplinary structure came to haunt Bergson’s philosophy during the 1920s. Ironically, the prominence that Bergson gave to his to cinematographic metaphor prevented him from adapting his philosophy to a mode of scientific organization that grew up around the devices themselves.
Monday 20th March
Dr Jacomien Prins (University of Warwick)
‘C.G. Jung’s Interpretation of Girolamo Cardano’s Dreams’
Between 1936 and 1941, Carl Gustav Jung presented a seminar on children’s dreams and the historical literature on dream interpretation in Zurich. As part of the seminar Jung analysed twelve dreams of Girolamo Cardano. These sessions do not only give a peek into Jungian dream interpretation in practice, but also demonstrate how Jung used Cardano’s dream reports to corroborate his ideas about archetypes, the collective unconscious, synchronicity and the harmonization of opposites. In his book on dreams, titled Synesiorum somniorum omnis generis insomnia explicantes, libri IV (1562), Cardano defends the merits of dream interpretation and offers a philosophical explanation for his views. Central to his dream theory is the idea that the cosmos is a unified, harmonic and animated entity. The universal harmonic interrelations between all cosmic phenomena provide the basis for Cardano’s theory of dream interpretation. In this paper I will investigate how and why Jung used Cardano’s dream reports to revive the Renaissance notion of a unitary harmonic world as the eternal ground of all empirical being. Moreover, I will analyse why Jung was prepared to make a ‘salto mortale’ to appropriate Cardano’s dreams, while at the same time he considered him as ‘a free thinker who was more superstitious than primitives.’
SELCS Common Room (G24)
University College London