Science journalist Bhahar Gholipour reports on the history of how Helmut Kornhuber and Lüder Deecke’s 1964 bereitschaftspotential research has signified in neuroscience.
The article deftly surveys the eras of interpretation about the results of the study, identifying presumptions that affected decades of seemingly positive replication, and how advancing comprehension of ambient neuronal activity in the brain led to a reframing of the landmark results, creating new directions for inquiry.
The Vernacular Archive of Normal Volunteers (VANV), 1940-2018 (inclusive) is a collection of oral histories, associated archival documents, and project records created and collected by Laura Jeanine Morris Stark (born 1975) to explore the lives of the first “normal control” research subjects at the Clinical Center of the United States National Institutes of Health (NIH) in Bethesda, Maryland who were recruited through NIH’s Normal Volunteer Patient Program. The Normal Volunteer Patient Program (renamed the Clinical Research Volunteer Program in 1995) began in 1953 as a program of the NIH and continues to operate (as of the publication of this dataverse in 2019) through the NIH Patient Recruitment and Public Liaison Office. VANV interview subjects participated in the program from 1954-2002.
as a result of a collaborative effort by the Melanie Klein Trust and the Wellcome Library, the entire Melanie Klein archive has now been digitised and is available to study online. This new digital collection contains over 350 items (files and folders) and over 30,000 images.
Some items in the archive, for example child clinical material concerning a patient who could still be identifiable, have been digitised but kept in restricted form until a specified future date. All other material, however, is freely available, and it is no longer necessary to join the Wellcome Library to study it.
A recent piece from historian Erik Linstrum over on Aeon may be of interest to AHP readers. In “The Empire Dreamt Back” Linstrum explores the role of psychoanalysis in British colonial rule. The piece begins:
Every state needs to know about the people it rules. Censuses, property surveys and tax records are familiar and tangible expressions of the state’s need to maintain power by accumulating knowledge. This is not just a matter of tedious bureaucratic record-keeping: especially when confronted with unfamiliar problems, states often turn to cutting-edge technologies and forms of expertise to make sense of the populations under their authority. In the early 20th-century Age of Empire, when European colonies stretched across the world, psychoanalysis was the novel technique of the moment. In an attempt to better understand their colonial subjects in those years, officials in the British empire undertook a curious and little-known research project: to collect dreams from the people of South Asia, Africa and the Pacific. The results were not what they expected.
Women make up a majority of members of the British Psychological Society (BPS), women have been instrumental in shaping what psychology is today, and women may be the face of the subject for many decades to come. Yet inequality remains steadfast. The History of Psychology Centre’s seventh annual Stories of Psychology event traced the history of women within psychology and celebrated 30 years of the Psychology of Women Section.
Sophie Bryant, Beatrice Edgell, Alice Woods, Caroline Graveson, Mary Smith, Nina Taylor, May Smith, Helen Verrall, Nellie Carey, Jessie Murray, Julia Turner, Jane Reaney, Laura Brackenbury, Ida Saxby, Susan Isaacs and Victoria Hazlitt – these were the first female members of the BPS. The Society, founded in 1901, was unusual for a scientific society in the early 20th century in that it allowed women to join.
Marston’s private life created scandal (the film begins in 1928 when prohibition was in full swing and, while Cole Porter might have penned Anything Goes in 1934, it was clear that, at the time, very little went – in the American bedroom at least). He had a complex three-way relationship with his wife Elizabeth and research student Olive Byrne, the three of them often sleeping together, which lost him his job as a lecturer and got him kicked off campus. Like Liam Neeson’s Kinsey (2004), here was one psychologist whose theories and sex life became deeply intertwined… quite literally in this case as Marston’s fondness for ropes and sado-masochistic role-play became more and more apparent. It is fascinating how much it dominated – if that’s the mot juste – the early Wonder Woman comic strips.
The film somehow avoids making it seem salacious, however. By concentrating heavily on Elizabeth and Olive, one strident, one shy, and played superbly by Rebecca Hall and Bella Heathcote, the two emerge as characters more interesting and maybe more important than Luke Evans’s Marston. In fact, there is a deliberately feminist tone to the proceedings, a touch ironic given how much Marston made of the differences between men and women. Like Hitchcock (2012), which emphasised how important his wife Alma was to the Master of Suspense’s films, so it is here with Marston’s theories and indeed Wonder Woman herself, at least as much an empowered female icon as a fetishistic male fantasy. Marston put it this way: ‘Frankly, Wonder Woman is psychological propaganda for the new type of woman who should, I believe, rule the world.’