A recent episode of the Australian Broadcasting Corporation’s Science Friction series explores psychologists Muzafer and Carolyn Wood Sherif’s Robbers Cave Experiment and earlier iterations of this now infamous study. Notably, the episode features interviews with several participants from the experiments. Listen to the full “Lost Boys” episode here.
A new book length account of the life and work of Hermann Rorschach,The Inkblots: Hermann Rorschach, His Iconic Test, and the Power of Seeing by Damion Searls, has just been released. As described on the publisher’s website,
In 1917, working alone in a remote Swiss asylum, psychiatrist Hermann Rorschach devised an experiment to probe the human mind: a set of ten carefully designed inkblots. For years he had grappled with the theories of Freud and Jung while also absorbing the aesthetic movements of the day, from Futurism to Dadaism. A visual artist himself, Rorschach had come to believe that who we are is less a matter of what we say, as Freud thought, than what we see.
After Rorschach’s early death, his test quickly made its way to America, where it took on a life of its own. Co-opted by the military after Pearl Harbor, it was a fixture at the Nuremberg trials and in the jungles of Vietnam. It became an advertising staple, a cliché in Hollywood and journalism, and an inspiration to everyone from Andy Warhol to Jay Z. The test was also given to millions of defendants, job applicants, parents in custody battles, and people suffering from mental illness or simply trying to understand themselves better. And it is still used today.
In this first-ever biography of Rorschach, Damion Searls draws on unpublished letters and diaries and a cache of previously unknown interviews with Rorschach’s family, friends, and colleagues to tell the unlikely story of the test’s creation, its controversial reinvention, and its remarkable endurance—and what it all reveals about the power of perception. Elegant and original, The Inkblots shines a light on the twentieth century’s most visionary synthesis of art and science.
A short interview with author Damion Searls on NPR can be heard here.
Houston’s approach is simultaneously accessible and nuanced; the series is a nice listen of its own accord, but would also make for a quality teaching resource. He has posted three episodes so far, each a nicely digestible length hovering around ten minutes (as he puts it, “bite sized.” Their topics are as follows:
- 1.1 Psychiatry And Its Subject
- 1.2 An Historian’s Approach to Psychiatry: The Aims of the Series
- 2.1 Melancholia and Mania: The Main Classifications
Here is the open source link for the podcast at Sound Cloud.
Find out more about the arc of the forty-four episodes total here, as covered by the Research @StAndrews Blog.
A couple of history of psychology related pieces cropped up from podcast land just in time to shift into gear for the weekend. For your listening pleasure, from CBC Radio’s Ideas and BBC Radio 4’s In Our Time, episodes on transcultural psychiatry and the early history of Bethlem Royal Hospital, respectively.
CBC’s Ideas with Peter Kennedy: Like I Was Talking to Myself in the Mirror
Synopsis: Early in the twentieth century German psychiatrist Emil Kraepelin travelled to Indonesia to see how mental illnesses there compared to what he knew back home. Transcultural psychiatry was born. Today McGill University is a world leader in the research and practice of a branch of psychiatry with links to anthropology, cultural studies and family therapy. David Gutnick steps into a world where treatment relies less on medication and more on talk and understanding.
BBC’s In Our Time: Bedlam
Synopsis: Melvyn Bragg and guests discuss the early years of Bedlam, the name commonly used for the London hospital of St Mary of Bethlehem outside Bishopsgate.
BBC 4’s series History of the Future “uses the fascinating objects in the Science Museum in London to chart how our understanding of ourselves and our technology has changed over time.” Associated blogger Melissa Hogenbloom posted a piece titled “A brief history of our desire to peer into the brain,” which surveys methods from phrenology to EEG, CT Scan and fMRI. Included are video clips of Science Museum curator Katie Dabin showing Hogenbloom their relevant collection, including ceramic phrenological heads and early electroencephalography technology.
That post, with the films of Dabin’s explanations, can be found here.