The group meets next on Wednesday, October 25, 2017 from 6:00-7:30pm (EST) and will be discussing articles in the special issue of the journal History of the Human Sciences on “Psychology and its Publics.”
Full details, including a schedule of upcoming meetings, can be found here.
AHP readers in the Toronto area will be interested in the upcoming premiere of a new film series on the history of mental health care in Canada. Keys to Our Past premieres the evening of Wednesday, October 4th at Humber College, the site of the former Lakeshore Psychiatric Hospital. RSVP for the free event here and watch the series trailer above. Full details below.
Keys to Our Past: Mental Health Film Series Premiere
Wednesday, October 4, 2017
7-9pm (doors at 6:30pm)
Join us on the grounds of the former Lakeshore Psychiatric Hospital for the premiere of KEYS TO OUR PAST, an original film series about the history of mental health care in Canada created by the Waypoint Centre for Mental Health Care in partnership with the Lakeshore Grounds Interpretive Centre. Hear about the creation of the asylum system, changes in treatments over time, and the continuing challenge of stigma directly from the writers, producers, and directors of this unique project.
‘Nerves’ enjoyed a central place in German debates about war at the beginning of the 20th Century. Politicians, scientists, the public, and the military discussed the extent to which a future war would strain the nerves of German society. Concepts of ´strength of nerves´ as well as of ´weakness of nerves´ were increasingly used as combat terms during the First World War. The massive scale of experiences of psychological injuries and suffering only added to this phenomenon. The social and political administration of the medical treatment of psychological war disabilities presided over post-war discourses of managing the consequences of war. Simultaneously, a new spiritual mobilization for war followed in the Weimar Republic, which, after 1933, ‘synchronized’ almost all aspects of social life in the Third Reich.
Current scholarship has devoted substantial historical research to the treatment and accommodation of psychological war-disabled veterans. This conference focuses on contemporary discourses on nerves in politics, society, science, and the military and aspires to elaborate the interaction as well as their practical consequences of these discourses for the period of 1900 and 1933. At this conference nerves are understood as a code and a construct that are central in negotiating identity. Both, contemporary discourses on nerves as well as individual and collective experiences of psychological mobilization and suffering will be presented and analyzed. The focus of the conference papers is on Germany, but in a wider European context.
Venue: Freie Universität Berlin, Fabeckstraße 23-25, 14195 Berlin, Room: 2.2059
‘Kingsley Hall: An Island? Exploring Archival Accounts of Life at the Hall’
Kingsley Hall was radical therapeutic community established by R. D. Laing in 1965 (and that ran until 1970) in the East End of London. Here I turn to archival accounts of life at the Hall by residents and visitors. These accounts are from a book (never published) about Kingsley Hall and other communities established by the Laing network in the 70s. In his introduction to the book (the most stable title of which was Asylum: To Dwell in Strangeness), Laing engages in a debate with his former collaborator, David Cooper, who had spoken derisively of the Hall and other communities as “happy islands”, isolated zones of pseudo-freedom. Following a consideration of the aims, scope, history and marketability of the book project, I take the island metaphor as my starting point for exploring archival materials. This route allows me to trace significant connections and dissonances among several contributors to Asylum: To Dwell in Strangeness, and offers rich possibilities for interrogating the nature of the Hall and the radical psychiatry associated with R. D. Laing. In particular, I want to examine debates around the politics of the Kingsley Hall project; the relation of the Hall to its surrounding area in the East End; as well as the relation of Laing and his project to mainstream psychiatry, and to 1960s counterculture.
Directed by Phelim McDermott and Lee Simpson, the piece recounts highlights of the field’s history as interpreted by Slater (and her detractors) by way of an interpretive bungee cord box. They include the author of the book as a character to guide further critical analysis of what the tales recounted in the volume, as well as the controversy that surrounded the takes in it, can tell us about the sociology and philosophy of science and scholarship more broadly.
According to the company’s website it is “inspired by the fascinating book by Lauren Slater, Opening Skinner’s Box is a whistle-stop tour of the scientific quest to make sense of what we are and who we are, told through ten great psychological experiments and the stories of the people who created them.”
The NYT ran an interesting piece by Eric Grode discussing the troupe’s directorial and productive decisions, and the ways in which their production processes intentionally resembled or related to the production of science.
A favourite quote from that article: “‘For me the box is about the scientific method,’ Mr. Simpson said. ‘You need to create something of a closed system so that it’s repeatable. But that’s kind of a useful pretense because nothing is a closed system. We have to remember that it’s not true,’ he continued, although ‘it’s O.K. to pretend that it’s true because you can learn a lot of useful stuff that way.'”