Historians and biographers of psychoanalysis, psychotherapy, psychology, medicine and culture, even Wikipedia, believe Ernest Jones discovered Freud in 1904 and had become the first English-speaking practitioner of psychoanalysis by 1906. Psychoanalysis in Britain, 1893–1913 offers radically different versions to that monolithic Account propagated by Jones over 70 years ago. Detailed readings of the contemporaneous literature expose the absurdities of Jones’s claim, arguing that he could not have been using psychoanalysis until after he exiled himself to Canada in September 1908. Removing Jones reveals vibrant British cultures of “Mind Healing” which serve as backdrops for widespread interest in Freud. First; the London Psychotherapeutic Society whose volunteer staff of mesmerists, magnetists, hypnotists and spiritualists offered free psycho-therapeutic treatments. Then the wondrous Walford Bodie, who wrought his free “miraculous cures,” on and off the music-hall stage, to adoring and hostile audiences alike. Then the competing religious and spiritual groups actively promoting their own faith healings, often in reaction to fears of Christian Science but often cow-towing to orthodox medical and clerical orthodoxies. From this strange milieu emerged medically qualified practitioners, like Edwin Ash, Betts Taplin, and Douglas Bryan, who embraced hypnotism and psychotherapy. From 1904 British Medical Journals began discussing Freud’s work and by 1908 psychiatrists, working in lunatic asylums, were already testing and applying his theories in the treatment of patients. The medically qualified psychotherapists, who formed the Medical Society for the Study of Suggestive Therapeutics, soon joined with medical members from the Society for Psychical Research in discussing, proselytizing, and practising psychoanalysis. Thus when Jones returned to London, in late summer 1913, there were thriving psychotherapeutic cultures with talk of Freud and psychoanalysis occupying medical journals and conferences. Psychoanalysis in Britain, 1893–1913, with its meticulous research, wide sweep of vision and detailed understanding of the subtle inter-connections between the orthodox and the unorthodox, the lay and the medical, the social and the biographical, as well as the byzantine complexities of British medical politics, will radically alter your understanding of how those early twentieth century “Mind Healing” debates helped shape the ways in which the ‘talking cure’ first started infiltrating our lives.
Woven like a scarlet thread through Jones’ account of the ingenuity, stamina, skill, and sheer will to believe required to keep at the improvement of calculating machines until they were reliable enough to be used widely (not until the 1870s) is the puzzle of what, if anything, mechanical calculation has to do with thinking. Pace almost all histories of computers that trace a lineage from Babbage to John von Neumann via Alan Turing, Jones answers: not much. Although some of the inspired tinkerers, such as Charles Stanhope, did toy with the idea that mechanical calculation was a materialization of thought, Jones concludes that the fact that machines could (eventually) be made to calculate did not immediately suggest the idea of artificial intelligence. On the contrary: calculation ceased thereby to count as intelligence.
The book itself is described on the publisher’s website as follows:
From Blaise Pascal in the 1600s to Charles Babbage in the first half of the nineteenth century, inventors struggled to create the first calculating machines. All failed—but that does not mean we cannot learn from the trail of ideas, correspondence, machines, and arguments they left behind.
In Reckoning with Matter, Matthew L. Jones draws on the remarkably extensive and well-preserved records of the quest to explore the concrete processes involved in imagining, elaborating, testing, and building calculating machines. He explores the writings of philosophers, engineers, and craftspeople, showing how they thought about technical novelty, their distinctive areas of expertise, and ways they could coordinate their efforts. In doing so, Jones argues that the conceptions of creativity and making they exhibited are often more incisive—and more honest—than those that dominate our current legal, political, and aesthetic culture.
The peculiar arrangement of the psychoanalyst’s office for an analytic session seems inexplicable. The analyst sits in a chair out of sight while the patient lies on a couch facing away. It has been this way since Freud, although, as Nathan Kravis points out in On the Couch, this practice is grounded more in the cultural history of reclining posture than in empirical research. Kravis, himself a practicing psychoanalyst, shows that the tradition of recumbent speech wasn’t dreamed up by Freud but can be traced back to ancient Greece, where guests reclined on couches at the symposion (a gathering for upper-class males to discuss philosophy and drink wine), and to the Roman convivium (a banquet at which men and women reclined together). From bed to bench to settee to chaise-longue to sofa: Kravis tells how the couch became an icon of self-knowledge and self-reflection as well as a site for pleasure, privacy, transgression, and healing.
Kravis draws on sources that range from ancient funerary monuments to furniture history to early photography, as well as histories of medicine, fashion, and interior decoration, and he deploys an astonishing array of images—of paintings, monuments, sculpture, photographs, illustrations, New Yorker cartoons, and advertisements.
Kravis deftly shows that, despite the ambivalence of today’s psychoanalysts—some of whom regard it as “infantilizing”—the couch continues to be the emblem of a narrative of self-discovery. Recumbent speech represents the affirmation in the presence of another of having a mind of one’s own.
Everyone experiences pain, whether it’s emotional or physical, chronic or acute. Pain is part of what it means to be human, and so an understanding of how we relate to it as individuals – as well as cultures and societies – is fundamental to who we are.
In this important new book, the first in Routledge’s new Critical Approaches to Health series, Robert Kugelmann provides an accessible and insightful overview of how the concept of pain has been understood historically, psychologically, and anthropologically. Charting changes in how, after the development of modern painkillers, pain became a problem that could be solved, the book articulates how the possibilities for living with pain have changed over the last two hundred years.
Incorporating research conducted by the author himself, the book provides both a holistic conception of pain and an understanding of what it means to people experiencing it today. Including critical reflections in each chapter, Constructing Pain offers a comprehensive and enlightening treatment of an important issue to us all and will be fascinating reading for students and researchers within health psychology, healthcare, and nursing.
Gittings, at Lahusen’s suggestion, sought an openly gay psychiatrist to present at a 1972 APA symposium entitled “Psychiatry: Friend or Foe to Homosexuals? A Dialogue.” Along with Gittings and [Frank] Kameny, the panel included a gay-friendly heterosexual analyst, Judd Marmor. As none of the gay psychiatrists she knew would appear openly gay in public—at the time, one could lose one’s medical license because homosexuality was illegal in almost every U.S. state—Barbara Gittings convinced John Fryer to appear in disguise as Dr. H. Anonymous.
Fryer, wearing an oversized tuxedo, a rubber Richard Nixon Halloween mask, and a fright wig, explained to his fellow psychiatrists the pain of the professional closet. [Kay Tobin] Lahusen’s photograph of the masked Dr. H Anonymous, now gone viral on the Internet, is a chilling, yet humorous, iconic moment in the history of the LGBT civil rights movement. Further, the panel and the hard work of Gittings, Lahusen, Kameny, and Fryer led to the APA’s removing “homosexuality” from its Diagnostic and Statistical Manual (DSM-II) the following year.
More on Gittings and Tracy Baim’s biography can be found here.