A collection of papers of psychologist and Wonder Woman creator William Moulton Marston have landed at the Radcliffe Institute for Advanced Study’s Schlesinger Library. And more papers from Marston’s granddaughters are set to arrive at in the archives in the months ahead. Undoubtedly the Marston’s papers will also feature items from his wife Elizabeth Holloway Marston and partner Olive Byrne, both of whom are well deserving of collections in their own right. As described in the Harvard Gazette,
Over the past academic year, two collections of William Moulton Marston, the Harvard graduate, psychologist, and inventor of the lie detector machine whose Wonder Woman comics promoted the triumph of women, arrived at the Radcliffe Institute for Advanced Study’s Schlesinger Library.
Though there’s little material directly related to Wonder Woman among the photos, letters, articles, drawings, and miscellanea in the archive, the collections go a long way toward explaining the influences in Marston’s life that inspired his righteous crime-fighting character, her racy look, and her fantasy storylines.
“His collection helps tell a back story rooted in Marston’s controversial research and the women in his unorthodox personal life,” said Kathy Jacob, curator of manuscripts at the Schlesinger. That includes Marston’s simultaneous relationships with two strong and idealistic women, a connection to Margaret Sanger — one of the most important feminists of the 20th century — as well as Marston’s work with behavioral psychology and his theories on love.
Relatedly, a new feature film, Professor Marston & the Wonder Women, is set to be released later this fall.
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The New York Times reports that a film, titled ’37’, on the infamous Kitty Genovese murder is in the works. The Genovese case is often credited with providing the impetus for research into the bystander effect, whereby bystanders fail to intervene in an emergency situation as a result of a diffusion of responsibility. The notion that bystanders failed to intervene in the Genovese case – including the NYT‘s initial erroneous accounting of 37 such individuals – has been called into question (see our previous posts on this myth here). As the NYT reports,
Whether the classic account of the murder is factually true has been disputed for years. The disturbing article in The New York Times at the time (“37 Who Saw Murder Didn’t Call the Police”) got the probable number of witnesses wrong, among other facts. Some people did call the police; at least one neighbor comforted the victim as she died. But over the years, Kitty Genovese has become more than a true-crime statistic. She’s attained the status of a myth aswirl in urban dread.
More details about the film ’37’ can be found in the NYT piece.
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The New Yorker has just posted an article on “The Real Lesson of the Stanford Prison Experiment.” A new feature film The Stanford Prison Experiment, starring Billy Crudup as psychologist Philip Zimbardo, provides the impetus for the piece.
On the morning of August 17, 1971, nine young men in the Palo Alto area received visits from local police officers. While their neighbors looked on, the men were arrested for violating Penal Codes 211 and 459 (armed robbery and burglary), searched, handcuffed, and led into the rear of a waiting police car. The cars took them to a Palo Alto police station, where the men were booked, fingerprinted, moved to a holding cell, and blindfolded. Finally, they were transported to the Stanford County Prison—also known as the Stanford University psychology department.
They were willing participants in the Stanford Prison Experiment, one of the most controversial studies in the history of social psychology. (It’s the subject of a new film of the same name—a drama, not a documentary—starring Billy Crudup, of “Almost Famous,” as the lead investigator, Philip Zimbardo.) The study subjects, middle-class college students, had answered a questionnaire about their family backgrounds, physical- and mental-health histories, and social behavior, and had been deemed “normal”; a coin flip divided them into prisoners and guards. According to the lore that’s grown up around the experiment, the guards, with little to no instruction, began humiliating and psychologically abusing the prisoners within twenty-four hours of the study’s start. The prisoners, in turn, became submissive and depersonalized, taking the abuse and saying little in protest. The behavior of all involved was so extreme that the experiment, which was meant to last two weeks, was terminated after six days.
Read the piece online here.
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Psychologist Viktor Frankl’s book Man’s Search for Meaning, in which he attempts to make sense of the Holocaust, has been optioned as a film. The Guardian reports,
Frankl, a contemporary of Freud, lost his whole family during the Nazi’s attempted extermination of the Jews. He developed his theory of “healing through meaning”, known as logotherapy, while a prisoner in the Auschwitz and Kaufering concentration camps. He counselled his fellow prisoners, many of whom were suicidal, with a philosophy that argued that striving for meaning, not pleasure nor power, is what keeps us alive.
The book is being adapted for film by screenwriter Adam Gibgot.
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