Tag Archives: WWII

New Articles: Jealousy, Madness, and Murder & Shell Shock on Film

The May 2017 issue of Social History of Medicine includes two articles that may be of interest to AHP readers. The first piece explores cases of jealousy, madness, and murder in the context of admissions to the Broadmoor Criminal Lunatic Asylum; the second describes how two editions of shell shock films differently incorporated notions about class, gender and nation. Titles, authors, and abstracts follow below.

“‘I am not very well I feel nearly mad when I think of you’: Male Jealousy, Murder and Broadmoor in Late-Victorian Britain,” by Jade Shepherd. Abstract:

This article compares the representations of jealousy in popular culture, medical and legal literature, and in the trials and diagnoses of men who murdered or attempted to murder their wives or sweethearts before being found insane and committed into Broadmoor Criminal Lunatic Asylum between 1864 and 1900. It is shown that jealousy was entrenched in Victorian culture, but marginalised in medical and legal discourse and in the courtroom until the end of the period, and was seemingly cast aside at Broadmoor. As well as providing a detailed examination of varied representations of male jealousy in late-Victorian Britain, the article contributes to understandings of the emotional lives of the working-class, and the causes and representations of working-class male madness.

“Shock Troupe: Medical Film and the Performance of ‘Shell Shock’ for the British Nation at War,” by Julie M. Powell. Abstract: Continue reading New Articles: Jealousy, Madness, and Murder & Shell Shock on Film

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New JHBS: Mental Testing, Random Sampling, & More!

The Spring 2017 issue of the Journal of the History of the Behavioral Sciences is now online. Articles in the issue explore the promotion of the scientific status of polling, Robert H. Lowie and the concept of culture, the work of Lawrence Krader, and work on mental associations prior to mental testing. Full titles, authors, and abstracts follow below.

“THE RHETORICAL USE OF RANDOM SAMPLING: CRAFTING AND COMMUNICATING THE PUBLIC IMAGE OF POLLS AS A SCIENCE (1935–1948),” by DOMINIC LUSINCHI. The abstract reads,

The scientific pollsters (Archibald Crossley, George H. Gallup, and Elmo Roper) emerged onto the American news media scene in 1935. Much of what they did in the following years (1935–1948) was to promote both the political and scientific legitimacy of their enterprise. They sought to be recognized as the sole legitimate producers of public opinion. In this essay I examine the, mostly overlooked, rhetorical work deployed by the pollsters to publicize the scientific credentials of their polling activities, and the central role the concept of sampling has had in that pursuit. First, they distanced themselves from the failed straw poll by claiming that their sampling methodology based on quotas was informed by science. Second, although in practice they did not use random sampling, they relied on it rhetorically to derive the symbolic benefits of being associated with the “laws of probability.”

“ANTHROPOLOGY AT WAR: ROBERT H. LOWIE AND THE TRANSFORMATION OF THE CULTURE CONCEPT, 1904 to 1954,” by STEFAN BARGHEER. The abstract reads, Continue reading New JHBS: Mental Testing, Random Sampling, & More!

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For Your Consideration: Thomas Pynchon’s Gravity’s Rainbow

61Hx4oueqcLThis summer I read Thomas Pynchon’s legendary, post-modern novel Gravity’s Rainbow. Published in 1973, the novel takes place during the latter part of WWII, beginning in London and eventually traversing the European (and occasionally other) landscapes. Pynchon’s work is of such a non-traditional nature that describing a plot is a preposterous attempt; but the novel’s linchpin is the Germans’ rumoured Rocket 00000, and the hitherto unknown power and destruction it may contain. Gravity’s Rainbow is replete with characters and circumstances pertinent to those interested in the history of science, particularly psychology. Though the author attends to and obsesses over the esoteric verbiage and theories of physics, engineering, and espionage, Pynchon devotes a considerable amount of his novel (and the characters therein) to matters related to Psychology. Indeed the main character, Tyrone Slothrop, is at the forefront of this novel due to his intimate physiological and psychological connection with Rocket 00000 (and the Schwarzgerät [AKA ‘black device’] within it). This conditioned connection was wrought when Tyrone was a neonate—the experimental situations of such reflexive conditioning emphasizing Pavolvian theory, while echoing the setting of Watson and Rayner’s Little Albert experiments. An entire club of scientists in this book revere Pavlov as a demigod, and rotate their lone copy of his Lectures on Conditioned Reflexes, simply referring to it as ‘The Book’.

infanttyronePynchon also includes scenes of the supposedly supernatural, where the faithful and the skeptical alike attend séances. These scenes mirror Psychology’s early history of actively debunking supernatural occurrences, unmasking the deceptive charlatans; concurrently there are other organizations, such as the Psi Section(s), that are professionally interested in the parapsychological for potential military and espionage tactics. Other characters and scenes concentrate on statistics and probability, and their predictive utility in the unpredictable chaos of war (with a particular focus on the Poisson Distribution). Many of these scenes recall the involvements of psychologists in military and government matters, and shines a light on their bizarre and variegated positions within the national and transnational bureaucratic machines of WWII.

Pynchon-simpsonsThese are a smattering of how the history of Psychology makes it way into Gravity’s Rainbow, and Pynchon develops the complex ramifications of these new theories and technologies for his seemingly endless assemblage of characters. These examples related to the history of psychology are ensconced within a fictional world that reflects the consequences of our scientific and technological progress: the fragmentation and disorganization of our selves and our societies that result from our systems of unification and organization. Tyrone Slothtrop’s continually evolving and confused selves, his nomadic lifestyle leading to places that are in constant destruction and reconstruction, and Pynchon’s own ceaseless change in narrative genre, tone, and syntax, illustrate the dizzying fragmentation-reorganization cycle that revolves more quickly the further we progress in our sciences and technologies. This book is Pynchon’s attempt at capturing the impossibly convoluted state of our post-WWII and post-modern lives.

Though Gravity’s Rainbow encompasses much more than only issues related to disciplinary Psychology, I would still like to recommend it as an excellent source of interest, inspiration, bewilderment, and discussion for anyone interested in the history of Psychology.

Buy it here.

Page-by-page annotations here.

Page-by-page artwork by Zak Smith here.

Learn more about Pynchon here, here, and here.

 

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