Tag Archives: Roy Porter

Special Issue: “Tales from the Asylum. Patient Narratives and the (De)construction of Psychiatry”

The January 2016 issue of Medical History is a special issue dedicated to “Tales from the Asylum. Patient Narratives and the (De)construction of Psychiatry.” The issue marks the 30th anniversary of Roy Porter’s seminal article, “The Patient’s View: Doing Medical History from Below. A full list of article titles, authors, and abstracts follows below.

Editorial: “The Patient’s Turn Roy Porter and Psychiatry’s Tales, Thirty Years on,” by Alexandra Bacopoulos-Viau and Aude Fauvel. No abstract.

“Animal Magnetism, Psychiatry and Subjective Experience in Nineteenth-Century Germany: Friedrich Krauß and his Nothschrei,” by Burkhart Brückner. The abstract reads,

Friedrich Krauß (1791–1868) is the author of Nothschrei eines Magnetisch-Vergifteten [Cry of Distress by a Victim of Magnetic Poisoning] (1852), which has been considered one of the most comprehensive self-narratives of madness published in the German language. In this 1018-page work Krauß documents his acute fears of ‘mesmerist’ influence and persecution, his detainment in an Antwerp asylum and his encounter with various illustrious physicians across Europe. Though in many ways comparable to other prominent nineteenth-century first-person accounts (eg. John Thomas Perceval’s 1838 Narrative of the Treatment Experienced by a Gentleman or Daniel Paul Schreber’s 1903 Memoirs of my Nervous Illness), Krauß’s story has received comparatively little scholarly attention. This is especially the case in the English-speaking world. In this article I reconstruct Krauß’s biography by emphasising his relationship with physicians and his under-explored stay at the asylum. I then investigate the ways in which Krauß appropriated nascent theories about ‘animal magnetism’ to cope with his disturbing experiences. Finally, I address Krauß’s recently discovered calligraphic oeuvre, which bears traces of his typical fears all the while showcasing his artistic skills. By moving away from the predominantly clinical perspective that has characterised earlier studies, this article reveals how Friedrich Krauß sought to make sense of his experience by selectively appropriating both orthodox and non-orthodox forms of medical knowledge. In so doing, it highlights the mutual interaction of discourses ‘from above’ and ‘from below’ as well as the influence of broader cultural forces on conceptions of self and illness during that seminal period.

“‘No “Sane” Person Would Have Any Idea’: Patients’ Involvement in Late Nineteenth-century British Asylum Psychiatry,” by Sarah Chaney. The abstract reads, Continue reading Special Issue: “Tales from the Asylum. Patient Narratives and the (De)construction of Psychiatry”

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