The May 2017 issue of Social History of Medicine includes two articles that may be of interest to AHP readers. The first piece explores cases of jealousy, madness, and murder in the context of admissions to the Broadmoor Criminal Lunatic Asylum; the second describes how two editions of shell shock films differently incorporated notions about class, gender and nation. Titles, authors, and abstracts follow below.
“‘I am not very well I feel nearly mad when I think of you’: Male Jealousy, Murder and Broadmoor in Late-Victorian Britain,” by Jade Shepherd. Abstract:
This article compares the representations of jealousy in popular culture, medical and legal literature, and in the trials and diagnoses of men who murdered or attempted to murder their wives or sweethearts before being found insane and committed into Broadmoor Criminal Lunatic Asylum between 1864 and 1900. It is shown that jealousy was entrenched in Victorian culture, but marginalised in medical and legal discourse and in the courtroom until the end of the period, and was seemingly cast aside at Broadmoor. As well as providing a detailed examination of varied representations of male jealousy in late-Victorian Britain, the article contributes to understandings of the emotional lives of the working-class, and the causes and representations of working-class male madness.
“Shock Troupe: Medical Film and the Performance of ‘Shell Shock’ for the British Nation at War,” by Julie M. Powell. Abstract: Continue reading New Articles: Jealousy, Madness, and Murder & Shell Shock on Film
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The 2015 volume of special topic publication Osiris is now available and dedicated to the theme of “Scientific Masculinities.” Among the plethora of interesting pieces in the issue, is one specifically on the history of psychology: “Maintaining Masculinity in Mid-Twentieth-Century American Psychology: Edwin Boring, Scientific Eminence, and the ‘Woman Problem'” by Alexandra Rutherford. The abstract reads,
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Using mid-twentieth-century American psychology as my focus, I explore how scientific psychology was constructed as a distinctly masculine enterprise and was navigated by those who did not conform easily to this masculine ideal. I show how women emerged as problems for science through the vigorous gatekeeping activities and personal and professional writings of disciplinary figurehead Edwin G. Boring. I trace Boring’s intellectual and professional socialization into masculine science and his efforts to understand women’s apparent lack of scientific eminence, efforts that were clearly undergirded by preexisting and widely shared assumptions about men’s and women’s capacities and preferences.
The journal History of Psychiatry is celebrating its 25th anniversary. A special issue marking the occasion has just been released. Among the articles in the issue are ones addressing the history of nostalgia, the treatment of shell shock at the Maudsley Hospital, masculinity in Victorian asylums in New Zealand and Australian, the distinction between passion and emotion, and much more. Full titles, authors, and abstracts follow below.
Editorial: “The first 25 years of History of Psychiatry,” by German E Berrios.
“Some reflections on madness and culture in the post-war world,” by Andrew Scull. The abstract reads,
This article examines the treatment of madness as a theme in drama, opera and films, concentrating its attention for the most part on the period between World War II and the 1980s. These were the years in which psychoanalysis dominated psychiatry in the USA, and so Freud’s influence in the broader culture forms the central though not the sole focus of the analysis.
“Nostalgia: A conceptual history,” by Filiberto Fuentenebro de Diego and Carmen Valiente Ots. The abstract reads, Continue reading 25 Years of History of Psychiatry & A New Issue
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The June 2011 issue of Isis, the official journal of the History of Science Society, is now out. Included in this issue are two articles of interest to historians of psychology. In his article on Stanley Milgram’s now infamous obedience to authority experiments, Ian Nicholson argues that Milgram’s research was less an attempt to explain the horrific acts of the Holocaust than it was a response to a crisis of masculinity in Cold War America. Nadine Weidman, in her article on American playwright Robert Ardrey, explores the popularization of the idea that human beings are innately violent and relates this view to the later development of sociobiology. Titles, authors, and abstracts follow below.
“’Shocking’ Masculinity: Stanley Milgram, ‘Obedience to Authority,’ and the ‘Crisis of Manhood’ in Cold War America,” by Ian Nicholson. The abstract reads,
Stanley Milgram’s study of “obedience to authority” is one of the best-known psychological experiments of the twentieth century. This essay examines the study’s special charisma through a detailed consideration of the intellectual, cultural, and gender contexts of Cold War America. It suggests that Milgram presented not a “timeless” experiment on “human nature” but, rather, a historically contingent, scientifically sanctioned “performance” of American masculinity at a time of heightened male anxiety. The essay argues that this gendered context invested the obedience experiments with an extraordinary plausibility, immediacy, and relevance. Immersed in a discourse of masculinity besieged, many Americans read the obedience experiments not as a fanciful study of laboratory brutality but as confirmation of their worst fears. Milgram’s extraordinary success thus lay not in his “discovery” of the fragility of individual conscience but in his theatrical flair for staging culturally relevant masculine performances.
“Popularizing the Ancestry of Man: Robert Ardrey and the Killer Instinct,” by Nadine Weidman. The abstract reads,
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This essay examines Robert Ardrey (1908–1980)—American playwright, screenwriter, and prolific author—as a case study in the popularization of science. Bringing together evidence from both paleoanthropology and ethology, Ardrey became in the 1960s a vocal proponent of the theory that human beings are innately violent. The essay shows that Ardrey used his popular scientific books not only to consolidate a new science of human nature but also to question the popularizer’s standard role, to reverse conventional hierarchies of scientific expertise, and to test the boundaries of professional scientific authority. Understanding how he did this can help us reassess the meanings and uses of popular science as critique in Cold War America. The essay also shows that E. O. Wilson’s sociobiology was in part a reaction to the subversive political message of Ardrey’s science.