The New Books Network (NBN) of podcasts has just released an interview with Tania Munz on her new book The Dancing Bees: Karl von Frisch and the Discovery of the Honeybee Language. As NBN describes,
Tania Munz‘s new book is a dual biography: both of Austrian-born experimental physiologist Karl von Frisch, and of the honeybees he worked with as experimental, communicating creatures. The Dancing Bees: Karl von Frisch and the Discovery of the Honeybee Language (University of Chicago Press, 2016) alternates between chapters that take us into the work and life of a fascinating scientist amid the Nazi rise to power, and bee vignettes that chart the transformations of bees in the popular and scientific imagination over the nineteenth and twentieth centuries. Readers follow von Frisch from his early intimate connection with a small Brazilian parakeet that lived with the family while von Frisch was a boy, to his work on the sensory powers of fish and bees, to his work on bee communication and beyond. Munz introduces us not just to von Frisch’s texts, lectures, and experiments, but also to his work making films and his struggles to live and work under Nazi power. Munz’s book is both compellingly argued and a pleasure to read!
The full interview can be heard online here.
The University of Chicago Press describes Munz’s book as follows:
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We think of bees as being among the busiest workers in the garden, admiring them for their productivity. But amid their buzzing, they are also great communicators—and unusual dancers. As Karl von Frisch (1886–1982) discovered during World War II, bees communicate the location of food sources to each other through complex circle and waggle dances. For centuries, beekeepers had observed these curious movements in hives, and others had speculated about the possibility of a bee language used to manage the work of the hive. But it took von Frisch to determine that the bees’ dances communicated precise information about the distance and direction of food sources. As Tania Munz shows in this exploration of von Frisch’s life and research, this important discovery came amid the tense circumstances of the Third Reich.
The Dancing Bees draws on previously unexplored archival sources in order to reveal von Frisch’s full story, including how the Nazi government in 1940 determined that he was one-quarter Jewish, revoked his teaching privileges, and sought to prevent him from working altogether until circumstances intervened. In the 1940s, bee populations throughout Europe were facing the devastating effects of a plague (just as they are today), and because the bees were essential to the pollination of crops, von Frisch’s research was deemed critical to maintaining the food supply of a nation at war. The bees, as von Frisch put it years later, saved his life. Munz not only explores von Frisch’s complicated career in the Third Reich, she looks closely at the legacy of his work and the later debates about the significance of the bee language and the science of animal communication.